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Metalfest Magazine #1, 7/96 --------------------------- The Misfits They're baaack! Originally together from March 1977 to October 1983, the Misfits earned the majority of their fans after they broke up. A few years after their breakup, Metallica gave the Misfits all sorts of plugs and when Metallica got huge, they covered Misfits anthems Green Hell and Last Caress. Hell, 8 out of 10 metal and punk bands have covered a Misfits tune sometime or another and the other 2 just don't have a god damned clue. Originally, the Misfits was founded by Jerry Only, Glenn Danzig, and Manny, who was only with the band under a year. They went through two other guitarists before officially recruiting Jerry's brother, Doyle. The Misfits went through a bunch of other drummers before splitting up. After the band broke up, everyone went their own ways, with ex-singer Glenn Danzig starting Samhain and then Danzig, and Jerry and Doyle formed Kryst the Conqueror. In 1993, they hooked up with drummer Dr. Chud (Cannibalistic Humanoid Underground Drummer) who graduated high school with Doyle in 1982. Chud also played in local Jersey bands Sacred Trash and Sardonica. With the idea of starting the Misfits up again, Doyle and Jerry went through all sorts of legal bullshit with the Evil Elvis money hungry rockstar, Glenn Danzig to obtain the rights to work as the Misfits again and reformed in 1995. They've replaced the Elvis wannabe with a 21 year old singer, Michael Graves, who until the day he auditioned for the Misfits , never even heard them. Graves does a fine job of pulling off the old Glenn Elvis rockabilly vocals on most of the songs and they say that he is way better than little Elvis when he was that age, so give it a couple of years and I'm sure that Michael will put greedy old Glenn to shame. The Misfits' comeback was over the course of 3 surprise performances around Halloween '95, one intended to be a listening party for a Misfits album that should have been released way back in 1988 and the other two performances during Type O Negative's encore. They've recently released a four song box set that comes in a groovy coffin shaped box and includes almost everything you need to fully appreciate the Misfits. Forget about the generic yellow skull collection CD, buy the box set. It's way worth it. They're playing all of the classic Msifits tunes and have not lost their look, sound, or attitude one bit. Their new songs are also set in the same style that we all know and love and they still sport the thick black paing rings around the eyes, skull face, and the traditional devil locks. Their cryptic stage set is greater than ever. The Misfits brand of brutal ghoul punk is one that can not be duplicated. Packed with 3 or 4 chords if they feel like it, sing along choruses, songs that never last more than three minutes, and all sorts of cool horror movie and television imagery, the Misfits will never be confused with the likes of today's suck-ass-wanne-be-pund-rock-but-are-really-a-bunch-of-lowlife-loser-dork-sis sies-who-copy-everyone-else-bands, nor trendy horror glam metal geeks who like to play cover tunes. The Misfits are gods. Like Black Sabbath is to metal, Misfits are to punk. Music with a bite. Doomy yet melodic. They are as punk as punk gets. They ignore everyone's standards. Fuck record labels, fuck the whole punk thing, just fuck it all. The only thing you must never forget is that the Misfits rule. by Darlene Daniels